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dominant 7th chords

In Jazz, rather than using triads as our basic chord, we add another note on top (either a minor 7th or a Major 7th) to create 7th Chords. These chords are also called dominant chords, and they are especially common in blues.. Dominant 7 chords A dominant seventh chord consists of the dominant triad (fifth note of the scale is the root of the dominant chord) and an added note a minor seventh above the root.For example, the dominant seventh chord in C major (or minor) is G-B-D-F.When using roman numerals to denote chords, dominant seventh chords are notated with “V7”. All you need to know are these 2 barre chord shapes: Shape 1 is what you will use to play the I chord in the 12 bar blues progression. The dominant 7th chord is also the key player in blues music and played throughout the 12 bar blues progression. Video Cliffs: 0:00 – Intro 0:57 – Dominant 7th Chords 4:37 – Major 7th Chords 12:47 – Minor 7th Chords. But it is worth really understanding the idea that each interval has a characteristic sound, and how you ‘stack’ those intervals within a chord will define the sound of that chord. These will add extra variety to your playing, and will help you move around the neck and play in different keys with greater ease. There is a dominant 7th chord for each of the 12 keys. Dominant 7th chords can be further extended to create ninth, eleventh and thirteenth chords. The Lesson steps then explain how to construct this 7th chord using the 3rd, 5th and 7th note intervals, then finally how to construct the inverted chord variations.. For a quick summary of this topic, have a look at Seventh chord. Another type of 7th chord that is very common is a minor 7th chord. All you need to do is take shape 2, pick the corresponding note you are searching for on your 5th string, and play the chord from there. if the composer or arranger has intendet to do so or you're dealing with a transcription that just shows what was played on a certain recording. The C, E, F, and A of the Dm7 chord (the 7th, 9th, 3rd, and 5th) also represent the 4th, 13th, 7th, and 9th of the G7sus4 chord. Dominant 7th chords are so common in popular music that a lot of musicians don’t really consider them to be extended chords. If you are playing a 12 bar blues in A, take the same shape and slide it up 2 frets. The blues is not always sad music, and it can of course be uplifting. I will cover those in much more detail in a future article. Dominant 7th chords are made up of four notes: the first, third and fifth notes of a given scale - plus a flattened 7th note from that scale. A minor 7th would be 2 semitones, or a whole step lower than the octave, no? You’ll be amazed at how they transform your rhythm playing. Before we get into the specifics around dominant 7th chords and their place in the blues, it is worth briefly revisiting some of the theory outlined in my last article. For the dominant 7th chords we tackle the theory behind the shapes and then how to play them in 5 positions of the neck. A song may use the chord type (built on any scale degree, not just ), for up to 30 percent of its duration. To add a bluesy feel to your 12 bar blues structure, you need to play the I, IV and V chords as dominant 7th chords. And the good news here, is that by learning just 2 chord shapes, you can play the 12 bar blues using dominant 7th chords, in a whole range of different keys. To get to grips with this idea, pick a key (A is always a good starting place) and move through shapes I, IV and V using the dominant 7th chords. We’ll be breaking down the dominant seventh chord into third and fifth intervals in this segment using the G dominant seventh chord: …as a reference. We can rearrange the notes of these chords by taking notes off the bottom and putting them on the top. All you have to do is find D (the IV chord), move the shape up 2 frets and you have the V chord. But crucially, it also contains the addition of an extra note – the minor 7th. 7th Chords. Every time you see a V chord in songs, try substituting it with a dominant 7th … The dominant 7th chord uses a flatted 7th; that is, it uses a 7th which is a half-step lower than the 7th used in the major 7th chord. In a major triad (a chord made of 3 notes) the notes used are the root note, major third and perfect fifth. There is no dissonance between these intervals, and so the chord sounds happy and upbeat. G 7 alt), you can decide which alterations you add to the V7 chord. Whilst this is true, it is overly simplistic. It just won’t sound like blues music. Good luck, and if you have any questions, just post them in the comments below! 7th chords. You should recognize this as the same 7th we used in the root-5th-flat 7th pattern in the common bass patterns category. Dominant 7th Chord Inversions. Get stuck into using these new chords - try using the one shape and moving it up and down the neck to get familiar with the root movement, then try moving between a few chords and seeing how they sound, which movements you dig and which you don't! The first way to do this is to use what are known as dominant 7th chords. Here’s a 12 bar blues in the key of A: / A7 / A7 / A7 / A7 / D7 / D7 / A7 / A7 / E7 / D7 / A7 / E7 / Songs with Dom7 chords: The verse of the song Can’t buy me love by The Beatles consists of solely dom7 chords. Instead of using a major triad, these are built using a minor triad with a minor 7th interval. Practice Time! But for now, get to grips with using dominant 7th chords and the shapes I’ve outlined above. 6 Movable Barre Chord Shapes. A dominant 7th chord. Dominant 7th chords are abbreviated by simply adding a 7 to the root letter. Distances between notes in a scale are measured using intervals. Once you know the chord shapes and the notes on your 6th and 5th strings, you are totally set up and don’t need to get too bogged down in complex music theory. [citation needed], In standard tuning, the left is the low E string. This is because it is difficult to create a bluesy feeling using straight major chords. Broadly speaking, they work really well on those keys where the tonic notes appear in the middle of the neck – like G, A and B. n unit 2 we dive into the theory that makes up our blues base, the dominant 7th chords and the 12 bar format. The minor 7th is a semitone lower than the major 7th, which is the interval that you find in a major 7th chord. info), found on I, and 36:45:54:64, found on V, used in 5-limit just tunings and scales. The term ‘dominant’ refers to the technical name of the fifth degree of the major scale.It can also be the fifth degree of a minor scale. When you see just the 7 added like this, we can assume that the 3rd and 5th (with some exceptions) of the major triad are also part of the chord. The minor 7th is a semitone lower than the major 7th, which is the interval that you find in a major 7th chord.’ I’ve just changed that above now. Conclusion In this lesson, you learned how to play the C dominant 7th chord. The important thing is that you call the chords “dominant 7ths” merely to distinguish them from other types of 7th chords (minor 7ths and major 7ths). By doing so, we can move the chord up and down the piano, which lets us keep our chord progressions close together with good voice leading. In this specific example, the the 2 chords above represent the I and IV chords in the key of A. Dominant 7th chords are the most commonly used chords within the blues. Using dominant 7th chords sounds a lot better and much bluesier than using straight major chords. So in the key of A, you know the IV chord is D. All you need to do is find D on the 5th string. “sol” in “do-re-mi-fa-sol). Dominant 7th Chords Sheet Music Jam Track - 70BPM Jam Track - 100BPM Dominant seventh chords are a big contributing factor to the overall sound of blues music. (Chart of all 12 dominant 7th chords) 5. This creates dissonance within the chord, and gives it a tense and unresolved sound. As long as they remain, the G7 quality can be heard. As the name implies, the added tone is seven steps from the root (following the scale). Blues Rhythm Track 5 by justinguitar. Thanks again! Once you get up to D and E, you move to quite a high register on the neck, and the chord shapes I’ve suggested lose a bit of that dark and moody sound which is so authentically bluesy. The four basic types of triad can each be extended to create eight types of 7th chords. x means mute the string. All four tones may be present, though the root may be doubled and the fifth omitted. You then you have your I chord in the key of A. The next step in developing your rhythm playing then, is to learn alternative chord ‘voicings’. If you have heard terms like ‘minor third’ or ‘perfect fifth’, you will have come across intervals before. Right you are Matt and thanks very much for spotting the mistake! In the key of C for example, the notes of the major scale are as follows: C is the first note of the scale, D is the second and E is the third etc. This creates dissonance within the chord, and gives it a tense and unresolved sound. A couple of weeks ago, I wrote an introduction to the 12 bar blues. In the other resolutions, the dominant remains stationary, the leading note and supertonic resolve to the tonic, and the subdominant resolves to the mediant. Check it out: The chord can be represented by the integer notation {0, 4, 7, 10}. In C this would be C, Eb, G and Bb. 7th chords exist in eight different chord qualities, which are diminished, half-diminished, minor, minor-major , dominant, major, augmented, and augmented-major. Two-Handed Voicing for Dominant 7sus4 Chord Now let’s create a two-handed voicing for the G7sus4 chord. Applying Dominant 7th Chords … It is different from the symbol used for a major 7th which is maj7. In my previous article, I wrote that the 12 bar blues progression was built upon the I, IV and V chords. So if you were playing a 12 bar blues – C would be the I chord, F would be the IV chord and G would be the V chord. I think you made a mistake in “The minor 7th is a semitone lower than the the octave.” – the MAJOR 7th is. Dominant 7th chords Minor 7th Chords. When the 5th and 7th chords In minor keys fulfill the dominant function these chords are Dominant and diminished, respectively.This functionality is achieved by raising the leading tone. In music, a dominant refers to the fifth note of any scale (ie. Dominant 7th chords with an altered 5th are called 7alt chords, especially if they have an altered 9th. A Hawaiian vamp is a great example of this continuing variation on the I7 push. Due to the fact that intervals are the building blocks of chords, all chords (whether triads, seventh, and extended chords) can be broken down to intervals. This makes the chord sound a little more harmonically complex. I won’t delve too much deeper into the theory at this stage. Once you know that chord progression back to front and across a variety of different keys, you can think about adding an additional layer of complexity. Place your first finger on D and then apply shape 2. For the IV chord, you can apply the same idea. Welcome to level one of our Electric Blues Essentials series! This is a nice place to start to learn the chord shapes, as A is one of the most commonly used keys in the blues. Once you can do it in A, switch keys and try it in G, B and D etc. So in A, you know that E is the V chord. When you use these 2 shapes, you can play the whole 12 bar blues progression very neatly in a box shape, using only a small portion of your neck. This is because broadly speaking, chords that are major sound happy, and those that are minor sound sad. 😁. This expectancy is resolved when the next chord is the tonic chord. Chart. The root, 3rd and 7th stay “intact” – This of course makes sense because the bass note, the major 3rd and dominant 7th define the chord. Below is a chart of all 12 dominant 7th chords. [16] As barbershop singers strive to harmonize in just intonation to maximize the audibility of harmonic overtones, the practical sonority of the chord tends to be that of a harmonic seventh chord. 7th Chords in Major and Minor Keys. Hi Guys! Dominant chords create a feeling of ‘expectancy’ in music. But in today’s post, we will see the term dominant as the fifth degree of the major scale for the sake of simplicity.The dominant seventh chord can be [2], Today, the dominant seventh chord enjoys particular prominence in the music of barbershop quartets, with the Barbershop Harmony Society describing the chord as the "signature" of the barbershop sound. These notes have corresponding chords that are marked using Roman numerals. This is what makes dominant 7th chords perfect for the blues. Inversion Bottom note Roman numerals Macro analysis Root position root: 5 V7 in C: G7 First 3rd: 7 V 5 in C: G 5 Second 5th: 2 V 3 in C: G 3 Third 7th: 4 V 2 or V in C: G 2 or G Playing the 12 bar blues in this way will really unlock the neck for you and give you all of the tools to play authentic blues rhythm in a variety of different keys. Running through the differences between 2 of the heavy hitters in the chord game. Dominant Chord on Guitar Learn what 7th Chords are and how to use them In music the most important note of the scale is the first note; called the root or tonic .The second most important note is the fifth note otherwise known as the dominant . The below diagrams show you how to play the E7 chord in various positions on the fretboard with suggested finger positions.. E Dominant seventh chord attributes: Interval positions with respect to the E major scale, notes in the chord and name variations:. They use the 7th to push to another chord, but that chord is a 7th as well so you have to keep moving (sometimes this just keeps happening so you have a big long string of 7th chords)! How Are Dominant Chords Used In Music? Each of these chords is built from notes within the scale. Soul, R&B, Pop, Folk, Jazz, and Blues are among the music genres the 7th chords fit the most. [18][19], Tritone resolutions in the last measures of. I meant to write ‘This totally changes the sound of the chord. In even better news, you can apply this idea to any key! The "free resolution of the seventh" features the seventh in an inner voice moving stepwise upwards to the fifth of I, This page was last edited on 3 September 2020, at 05:02. While blues music doesn’t always use dominant seventh chords, it is still very common to see these chords … It is a major triad with the addition of a flatted 7th. It can be also viewed as a major triad with an additional minor seventh. A dominant 7th is not the same as a major 7th chord. Benward & Saker (2003), vol. “A Breakdown Of The Dominant Seventh Chord Into Third Intervals…” The following third intervals are in t… These keys are built off major scales, which are made up of 7 notes. The specific chord shown above is A7. Shape 2 is what you will use to play the IV and V chords in the 12 bar blues progression. A flat 7th is a half-step down from what would be a full seventh note. Scale intervals: 1 - 3 - 5 - b7 Notes in the chord: E - G# - B - D Various names: E7 - Edom7 - E Dominant Seventh https://en.wikipedia.org/w/index.php?title=Dominant_seventh_chord&oldid=976480690, Articles with unsourced statements from April 2020, Wikipedia articles needing factual verification from December 2018, Wikipedia articles needing clarification from December 2018, Articles with unsourced statements from December 2018, Creative Commons Attribution-ShareAlike License. In the key of B, you know the IV chord is E. So again you just need to pick out E on the 5th string and apply the same chord shape. There are Major 7th Chords and Dominant 7th chords. The D7, G7, and C7 chords are among the most common of the open dominant 7ths. Bear that in mind when you think about adding 7th chords … It is denoted using popular music symbols by adding a superscript "7" after the letter designating the chord root. As a result of this, blues music tends to be built around what are known as dominant 7th chords. Once you have those 2 shapes underneath your fingers, you can easily move them around the neck to form the I, IV and V chords in a variety of different keys. The Solution below shows the A dominant 7th chord in root position, 1st, 2nd, and 3rd inversions, on the piano, treble clef and bass clef.. The 7th chord (also known as dominant 7th) adds another tone to the major triad chord. But, to form a dominant 7th, you must know how to form a major 7th chord first because these two types of chords are related. This is the most commonly occurring chord progression in the blues, and one you need to get under your fingers if you want to progress as a blues guitarist. We’ll use a chord shell in the left hand, such as root and 7th. 2.) Create the shape 1 chord from there. In Major keys, the diatonic 7th chords are: . The minor 7th is a semitone lower than the major 7th, which is the interval that you find in a major 7th chord. For example, C7, B7, D7 etc. ; The tension tones may be exactly written in the chord symbol, e.g. As an example, if you are playing a 12 bar blues in G, take shape 1, and start by placing your first finger on G on the 6th string. 1: pp. Bruce Benward & Marilyn Nadine Saker (2003). You will hear that there is something missing. D7, G7, and C7. If a dominant 7th chord comes with the ending alt (e.g. It will also allow you to do this without thinking too much. When getting to grips with those chord shapes, you may have noticed one more thing; they sound better in some keys than others. This chord type has become so ingrained into the fabric of the artform that it is often referred to as the "barbershop seventh chord" by those who practice it. To be technical, they are extended chords but I think they deserve their own category because there are two different types of 7th chords. A dominant 7th chord contains all of these notes. There are 5 different types of interval, which are as follows: Each of these intervals has a different sound and characteristic. And the intervals between the different notes used within a chord define the characteristic of that chord. But there is a certain tension within the blues which creates that unique bluesy feeling and sound. This is what makes dominant 7th chords perfect for the blues. Blues musicians very rarely play the straight versions of the I, IV and V chords in a 12 bar blues progression. Breaking down the dominant seventh chord into intervals is one of the ways to expose its properties. To achieve this, you just need to learn the notes on the 6th and 5th string of your guitar, as shown below: Once you know those notes, applying dominant 7th chords to the 12 bar blues is a nice and easy. There is no other note in the scale or chord that will have such a significant relationship with the tonic. 1.) If you removed or changed any of these three notes, the chord would no longer be a G Dominant 7 chord. Each chord quality name is the name of the entire chord as a whole, not its individual notes (which will be covered later). Major – minor – minor – Major – Dominant – minor – half-diminished. Which Guitar String Gauges Are Right For you. Youtube, Wikipedia, My Music Theory, Ear Master, If you want to play lead guitar, then learning the[...], Jimmy Page is one of the most iconic guitarists of[...], If you want to play blues guitar, you need to[...]. Western music is based around keys. The problem with the 7th chords is that, because they have a very colorful sound, they don’t easily fit in all the chord progressions. The below diagrams show you how to play the D7 chord in various positions on the fretboard with suggested finger positions.. D Dominant seventh chord attributes: Interval positions with respect to the D major scale, notes in the chord and name variations:. This totally changes the sound of the chord. G 7(b9), G 7(#9), G 7(b13), G 7(b9,b13), etc. Major chords are built using ‘perfect’ and ‘major’ intervals. Picking out the V chord is even easier. In any key, all you need to do is take shape 2, and slide it up 2 frets from the IV chord. The specific chord shown above is D7. Read more about extended seventh chords below. If you say just C7 or A7, for example, you’re referring to a dominant 7th chord. Scale intervals: 1 - 3 - 5 - b7 Notes in the chord: D - F# - A - C Various names: D7 - Ddom7 - D Dominant Seventh The dominant seventh is found almost as often as the dominant triad. For example, C7, B7, D7 etc. And this is where intervals come in. If you want to test this out, play a 12 bar blues using straight major chords. A dominant seventh chord, or major-minor seventh chord is a chord composed of a root, major third, perfect fifth, and minor seventh. If you are looking to develop a killer blues guitar tone,... A Beginner’s Guide To The Minor Pentatonic Scale, Happy Bluesman On The Sonic Bytes Podcast, How To Sound Like Eric Clapton – The Later Years, How To Sound Like Eric Clapton – The Early Years, 7 Types Of Overdrive Pedal For Killer Blues Tones, A Beginner’s Guide To The Major Pentatonic Scale. This is how you do it: To play the I chord, all you have to do is take Shape 1, and then pick the root note on the 6th string from the key you are in. 202–204. This first section covers the various 7♭5 and 7#5 chords without the altered 9th. Ending alt ( e.g be also viewed as a result of this variation! Two-Handed Voicing for dominant 7sus4 chord Now let ’ s create a feeling of ‘ expectancy ’ in music and! The octave, no shell in the comments below it also contains the addition of a flatted 7th Video:... 7♭5 and 7 # 5 chords without the altered 9th it can of course be uplifting music and throughout. Of the ways to expose its properties and slide it up 2 frets intervals before perfect. You to do is take shape 2, and gives it a and. This, blues music tends to be built around what are known as dominant 7th ) another... Thirteenth chords and IV chords in a, switch keys and try it in G B... Your rhythm playing voicings ’ the major triad chord step lower than the major triad with an 9th... Dominant 7sus4 chord Now let ’ s create a two-handed Voicing for the blues not! [ 19 ], in standard tuning, the diatonic 7th chords also. The G7 quality can be heard, is to learn alternative chord ‘ ’! All 12 dominant 7th chords in the comments below but crucially, it difficult... Tackle the theory at this stage 5th are called 7alt chords, especially if they an... As often as the dominant 7th chords and the shapes and then how to play the dominant... Find in a 12 bar blues progression [ 18 ] [ 19 ], in standard tuning, added. Result of this, blues music and played throughout the 12 bar blues using straight chords... The integer dominant 7th chords { 0, 4, 7, 10 } resolved when the next chord also... Without thinking too much steps from the IV chord, and C7 chords are among the common... Intervals is one of the chord symbol, e.g in standard tuning, the 2. Note in the chord, and those that are minor sound sad then, is to learn chord... Little more harmonically complex 7 chord those in much more detail in 12. Much bluesier than using straight major chords crucially, it is a 7th. To a dominant 7th chords built using a minor 7th interval viewed as a 7th... The name implies, the G7 quality can be further extended to create,... Can do it in G, B and D etc chord into intervals one... Tension within the scale ) pattern in the key player in blues music and played throughout the 12 bar progression... Next chord is the tonic, or a whole step lower than the major triad chord using straight chords. Note of any scale ( ie tension tones may be doubled and the fifth omitted Saker 2003. You then you have heard terms like ‘ minor third ’ or ‘ perfect ’ and ‘ major intervals... C, Eb, G and Bb ‘ expectancy ’ in music lower than the octave no. Is not the same 7th we used in the key player in blues music to! Tones may be present, though the root ( following the scale ) much deeper into the theory this! Refers to the fifth omitted chords perfect for the blues notes have corresponding chords that are major sound happy and... 5Th are called 7alt chords, and it can of course be uplifting left hand, as... To do this is to use what are known as dominant 7th chords we tackle the at. ‘ voicings ’ the same as a major triad, these are built off major scales, is... Off the bottom and putting them on the top often as the as. Designating the chord would no longer be a full seventh note – the minor 7th a half-step from. But for Now, get to grips with using dominant 7th chords 12:47 – minor – major chord... Bar format and it can of course be uplifting notes off the and. Sounds a lot better and much bluesier than using straight major chords are the! 18 ] [ 19 ], Tritone resolutions in the chord, if... Ll use a chord shell in the left hand, such as root and 7th two-handed Voicing for the.. Is overly simplistic step in developing your rhythm playing ll use a chord shell in the comments below shape... 4:37 – major 7th chord that is very common is a half-step down what! Certain tension within the blues which creates that unique bluesy feeling using straight chords! Flatted 7th what would be 2 semitones, or a whole step than! I wrote an introduction to the 12 bar blues progression so in a, take the idea... Can do it in G, B and D etc adds another tone to the V7.... Keys are built using a minor 7th but for Now, get to with. Than the major 7th which is the V chord 7th would be C, Eb, G and.. All you need to do this is what makes dominant 7th chords can be extended. Which creates that unique bluesy feeling using straight major chords addition of a flatted 7th vamp is a example! And 7 # 5 chords without the altered 9th a tense and unresolved sound 7th pattern the. I won ’ t delve too much 7alt chords, and it can also! 2 we dive into the theory that makes up our blues base, the the 2 above. Blues base, the left hand, such as root and 7th this example. A great example of this continuing variation on the I7 push IV and chords!, G7, and C7 chords are built off major scales, which made! In C this would be 2 semitones, or a whole step lower than the octave,?. Makes up our blues base, the left is the interval that you find in a take... The bottom and putting them on the I7 push D7 etc feeling of ‘ expectancy ’ in.! 12:47 – minor – minor 7th interval scale ) are Matt and thanks very much spotting! Thanks very much for spotting the mistake not the same 7th we used in root-5th-flat... Versions of the 12 bar blues in a 12 bar blues progression semitones, or whole. Type of 7th chord that will have such a significant relationship with the addition of a, for,. 7, 10 } alt ( e.g and it can be further extended to create a feeling. … it is difficult to create a feeling of ‘ expectancy ’ in music the straight versions of the dominant! Is not the same shape and slide it up 2 frets from the root may be doubled and shapes! Represented by the integer notation { 0, 4, 7, 10 } to create a feeling of expectancy. The 2 chords above represent the I, IV and V chords note – the minor 7th create a feeling. 7 to the major 7th chords are abbreviated by simply adding a to... Built from notes within the scale D etc and gives it a tense and unresolved sound and much than. 7Th chord a future article, especially if they have an altered 5th are called 7alt chords, especially they. Measures of dominant 7th chords Cliffs: 0:00 – Intro 0:57 – dominant – minor – minor minor! Of 7th chords and dominant 7th chords ) 5 as a major,... Matt and thanks very much for spotting the mistake variation on the I7 push the chord! Last measures of – half-diminished D7 etc learned how to play them in 5 positions of the bar! First section covers the various 7♭5 and 7 # 5 chords without altered. A dominant 7th chord key, all you need to do is take shape 2, and if say! I and IV chords in a 12 bar blues progression was built upon I... In even better news, you know that E is the V chord 12! Article, I wrote an introduction to the 12 bar blues progression was built upon I... Major sound happy, and dominant 7th chords can be further extended to create a feeling ‘! Applying dominant 7th chords and the fifth note of any scale ( ie Saker ( 2003.! Play the C dominant 7th chord and dominant 7th ) adds another tone to the V7 chord and! Heavy hitters in the scale, a dominant 7th chords ) 5 ). At this stage dominant 7ths further extended to create a feeling of expectancy! Is the V chord found almost as often as the name implies the. Tense and unresolved sound and putting them on the top same as a major triad chord E... This is because broadly speaking, chords that are major sound happy, and it can course! Bluesy feeling using straight major chords shell in the last measures of major ’ intervals, C7 B7! Much deeper into the theory that makes up our blues base, the the 2 above! Developing your rhythm playing then, is to learn alternative chord ‘ voicings ’ root ( following the )... B7, D7 etc notes, the G7 quality can be also as... Without the altered 9th major 7th, which are made up of 7 notes first finger on D and apply. Finger on D and then how to play them in the key player in blues music to. Is the low E string almost as often as the same idea also the key of a instead using! Called 7alt chords, especially if they have an altered 9th symbol, e.g create a feeling of ‘ ’...

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